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Review: Murder On The Orient Express Is A Fine Film Indeed
Take some of the best working actors around, throw them into a tale that has proven its resilience to time with a director who is more...


Review: Detroit Is Good, But It's Not Great
It's November and that means it's Oscar season. And what a way to open. Detroit, directed by The Hurt Locker's Katheryn Bigelow, ticks...


Netflix November: Okja Isn't Taking Home Any Bacon
Netflix is better known for it's series than it is for its movies, and for good reason. For every Beasts Of No Nation and Siege Of...


Review: Suburbicon Has A Very Simple Story To Tell, But Wastes 105 Minutes Telling It
Sure, George Clooney's previous forays into directing weren't exactly grand successes. Even the most recognisable titles, The Monuments...


Review: Stranger Things Season 2 Turns It Up To...11
In 2016, Netflix released an 80's inspired combination of Stand By Me and The Lost Boys by the name of Stranger Things. It was a hit, to...


Review: Cars 3 Is The Surprise Hit Of The Year
Cars was a pretty cool idea, with some likeable characters and even more likeable concepts, but not much going for it in the plot...


Review: The Good Place Season 1 Is Nothing Groundbreaking, But It Certainly Is Different
Eleanor Shellstrop wakes up in The Good Place, to a message saying "Welcome! Everything is fine". But everything is not fine in The Good...


Review: Thor Ragnarok Is Marvel's Peak In Comedy
In 2014, Marvel's Guardians Of The Galaxy not only created a new sub-genre with their colourful and flamboyant take on the space opera,...


Review: Geostorm, How Dumb Do You Like Your Fun?
You know those movies that aren't really that good? The ones that aren't exactly bad either? The kind of movie you watch on a Sunday...


Review: The Foreigner Will Thrill You From Beginning To End
From the director of two of the greatest Bond films, Goldeneye and Casino Royale, as well as, yeah, Green Lantern (ignore that one),...
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